The MAC AUSTRALIA 2012 APDG Award - FOR MAKEUP AND PROSTHETICS Wendy de Waal - Make Up and Hair Designer. Known as one of Australia’s greatest theatrical costume designers, having worked in film, musical theatre, opera and ballet around the world over the past 36 years, Irwin’s designs for this brand new production of West Side Story have been keenly anticipated. Welcome to the professional world of Jennifer Irwin, costume designer extraordinaire who, for the past 36 years, has woven her magic across Australian theatre, opera, dance, film, musicals and spectaculars. Australian costume designer Jennifer Irwin’s career spans over 38 years designing costumes for multiple operas, dramas and in particular dance & ballet. Arts funding in Australia is a car crash argues Big hART's Scott Rankin in a newly published Platform Paper. Designer Biography Costume Designer Jennifer Irwin's career spans 30 years constructing & designing costumes for drama, opera, film and in particular for dance & ballet. I had permanent employment at Sydney Dance Company, during the grassroots years of the company – the Graeme Murphy period. In #5 in a series of conversations with leading Australian female designers, Antoinette Barbouttis meets an industry legend. Every genre of performance has different priorities. You can go anywhere with the costumes. AB: You are a costume designer, not a set designer. Jennifer designs regularly for all of the major Australian companies. The 2018 Philip Parsons Lecture: The myth of the general audience must go the way of the myth of the... Suz Mawer: What I learned in Ita O'Brien's intimacy workshop. I love the dynamic juxtaposition, the ancient and the modern. NORPA in Lismore offers performing artists much more than a subtropical getaway. Every time I do a show with Bangarra, I try to push my design harder than the last one. Actors need character. It’s an entirely collaborative process. How did you get involved with Bangarra Dance Theatre? Designers Australian costume designer Jennifer Irwin’s career spans over 38 years designing costumes for multiple operas, dramas and in particular dance & ballet. I trained as a scenic artist, but my first professional job was with Sydney Dance Company in the early 1980s. It's not that hard to do. Dancers sweat. Thanks to Covid-19, Drew Fairley was trapped for two months aboard a passenger liner going nowhere. He invited me to do their dance costumes and I have been designing for him ever since. Most plays do." Costume design by Jennifer Irwin Gift of The Australian Ballet, 2006 Australian Performing Arts Collection, Arts Centre Melbourne "We commissioned this ballet to be a partner piece for the existing ballet Rites in 2006. Dirty Dancing [West End, 2006] Costume Designer. J ennifer Irwin has been creating costumes for Bangarra Dance Theatre since the company’s very beginning, and has been collaborating with Stephen Page even longer. Set Designer – Jacob Nash. Adelaide 29 August – 1 September. Jennifer Irwin, costume designer par excellence and recipient of the 2017 Australian Dance Award for Services to Dance, will be the special guest at an event hosted by ‘UsefulBox’ on 14 October at the Boronia tea rooms in the Sydney suburb of Mosman. One thing prevented him... A theatre without actors is just a building. Jennifer Irwin’s career spans four decades and she creates for drama, opera, dance and ballet and major events. What led you down this track? “Design is so much more than making things look pretty”. But does anyone know what a Snark looks like? I love that I’ve had the opportunity to work on an international scale. Make a creative’s heart sing, writes Ang Collins. Dressing bodies is my primary interest and I could always sew. meriton festival village - 2017 sydney festival. Hurrah Hurrah return with a team of robotic vacuum cleaners hacked to torment their human counterparts. Personal Website. sydney festival 2017 festival director: wesley enoch executive director: christopher tooher festival designer: pip runciman Conductors: Massimo Zanetti (until 6 Jul); Nicholas Milton (11–25, 29, 31 Jul; 1, 2, 3 Aug); Brian Castles-Onion (27 Jul; 6, 7, 10 Aug) Director: Graeme Murphy Creative Associate: Janet Vernon Production Designer: Michael Scott-Mitchell Costume Designer: Jennifer Irwin Lighting Designer: Damien Cooper Master Electrician & BlackTrax Diviner: Jason Morphett "Everything was just so raw and we were working on the run. So I fell into dance and have been designing for it ever since. He was 19 or 20, I think. Wollongong 24 – 25 August. Playwright Jordan Harrison explores the mysteries of human identity and the limits - if any - of what technology can replace. Jennifer Irwin With the world premiere of Infinity taking place in Melbourne in only a couple of weeks, Anna Sutton spoke to costume designer Jennifer Irwin about her collaborations with Graeme Murphy and Stephen Page for The Narrative of Nothing and Warumuk: in the dark night. Who is Jennifer Irwin? You use bold ochres in your costume designs for Bangarra. Underbelly Razor. Burning Man. Submit Photos Here . More info here. Jennifer Irwin’s costumes can be seen in Bangarra Dance Theatre’s Dark Emu, touring now. Jennifer Irwin Costume Designer Sydney, Australia 32 connections. Jennifer Irwin, Costume Designer: Spear. Date: 21 Jun 2018 Jennifer Irwin’s career spans four decades and she creates for drama, opera, dance and ballet and major events. Over the years, the Bangarra costumes have become far more sculptural. It’s like family. Maisy Stapleton, spoke to Jennifer Irwin, key costume designer at Bangarra and previously at the Sydney Dance Company on Arts Thursday on 18 July 2019. How fabrics work over time, how to cut costumes for movement. Choreographer: Stanton Welch Music: Brent Lewis Primitive Truth and Rhythm Hunter Costume Design: Jennifer Irwin Set and Lighting Design: Andrew Carter. “The first one is a cocktail party where there’s lots of waltzing so I went with long dresses and put everyone in long satin gowns that sat well within the black and gold of the set. It's been a tough year, writes theatre maker Suz Mawer. In our series of interviews celebrating Australia's leading female designers, Antoinette Barbouttis talks opportunity, craft and career with Melanie Liertz. costume design:jennifer irwin lighting design: nick schlieper photography credit: brett boardman. The result of this extraordinary partnership is an entirely unique costume aesthetic: sculptural, richly textured, with a strong connection to the land. Canberra 13 – … If they fall due to the costume, that could end their career. Photos. From film school reject to Hollywood legend, take a look at Steven Spielberg's career so far and explore what lies ahead.. Watch the video Australian costume designer Jennifer Irwin’s career spans over 38 years designing costumes for multiple operas, dramas and in particular dance & ballet. In the second in a series of interviews celebrating Australia's leading female designers, Antoinette Barbouttis talks life and art with... Indie director Penny Harpham took a deep dive into the world of mainstage theatre with Antony and Cleopatra and, against... “Don’t underestimate the audience,” says... Declan Greene fires back at comments made by Wesley Enoch in his Nick Enright Keynote Address. I’ve been doing dance for so long now it has become second nature to create and understand the vocabulary of different choreographers. Tongan-Australian writer Winnie Dunn speaks to the Voice, Agency and Integrity Report produced by Diversity Arts Australia. It’s a much more organic experience. In 2004, Jennifer designed the costumes for the International Box office sensation DIRTY DANCING the musical, still playing to packed audiences, breaking all pre-box office sales of any show ever staged in the history of London’s West End. Self -Employed. Irwin will talk about her creative process and what inspired her as an artist. The People's Choice competition for the 2019 Martin-Lysicrates Prize is open and it's not just the playwright who stands to... Actor Michelle Ny argues for conscious rather than colourblind casting. When you work for a company for 30 years, you have to push forward to maintain originality and freshness. Jennifer Irwin Bio, Photos, Theatre Credits, Stage History - learn all about their career on stage. In the second in a series of interviews celebrating Australia's leading female designers, Antoinette Barbouttis talks life and art with Anna Gardiner. The designs will unleash the full impact of the powerful and dynamic movement that West Side Story is […] There are practical issues to consider, too, like partnering and longevity when you’re dancing eight shows a week for months on tour. Youth theatre should not be training for thought and action in the future, argues Iris Simpson. But Dirty Dancing the musical is a highlight, and it continues to tour around the world since its first staging in 2004. The highlight for me is being a part of a company. And I designed 25,000 costumes in one year for the Sydney 2000 Olympics. Working with Bangarra allows me to be more creative. Jennifer Irwin has designed for drama, opera, and dance as well as the largest spectacular events ever staged in Australia. Jennifer’s work has been stage live in over 60 countries, over 350 cities, venues including the Lincoln Centre NYC, City Centre NYC, Brooklyn Academy of Music NYC, The Kennedy Centre Washington, The Royal Opera House, Covent Garden London, Command performances at the Royal Palace Madrid and many at the Sydney Opera House. “The Merry Widow has three acts,” she explained. Most recently, Jennifer designed the lavish costumes for Opera Australia’s The Merry Widow, the Australian Ballet’s Murphy Tribute and Bangarra’s Dance Theatre’s latest production Dark Emu. Her work includes over 85 ballets as well as some of the largest scale spectacular productions ever staged in Australia including the Opening and Closing Ceremonies for the Sydney 2000 Olympic Games and the Official Ceremony marking the Centenary of Australian Federation 2001. Jennifer has been designing costumes for … Costume design Jennifer Irwin Set design Peter England. When anything over 90 minutes is considered long-haul, why do we still make marathon theatre? I love embracing new technology such as digital printing, 3D printing and laser cutting. 'Terrain' Choreographed by Frances Rings Set Design Jake Nash Costume Design Jennifer Irwin Music David Page Lighting Karen Norris Photo Jeff Busby But we can use the time on our hands to... John Harrison is a theatre maker and leads Westmead Hospital's Clinical Emergency Response Team. But as a white woman, I also need to be aware of all cultural protocols. Ochre is a clay and it comes in many colours and Bangarra usually sources it from the appropriate homelands. Lachlan Philpott shares his vision for the future of Australian stage writing with Audrey Journal. Opera singers need to sing unconstrained. I designed and made all the costumes, maintained them and toured internationally with the company. Essentially, I learned on the job. Jennifer Irwin’s career spans 36 years constructing and designing costumes for drama, opera, film and, in particular, for dance and ballet. In the fifth in a series of interviews celebrating the female designer, Antoinette Barbouttis talks to Anna Tregloan. See the complete profile on LinkedIn and discover Jennifer’s connections and jobs at similar companies. Jenny is the winner of many awards and nominations for her designs and recognised … Very young! View Jennifer Irwin’s profile on LinkedIn, the world’s largest professional community. Graeme put contemporary dance on the map in Australia. It's more than just the money writes "Adelaide". Every show I’ve designed is completely different. I was in the right place in the right time to learn. The best in home-grown theatre, comedy, cabaret, circus and food, presented in the iconic Bondi Pavilion. Queer Representation on Stage: Between... Is identity politics having a reductive effect on queer representation in our theatres? Jennifer Irwin’s costumes are similarly gorgeous, and particularly the widow’s outfits – each is an Instagram-worthy showstopper, from the opening black-and-gold nod to widow’s weeds, the exotic gauzy turquoise of Act 2’s Pontevedrian number, and Act 3’s gold and silver glory. A ragtag gang of adventurers off to catch the mythical Snark. And why not? In Bangarra Dance Theatre’s latest work, Terrain, choreographer Frances Ringsexplores the wonder and spiritual resonance of Kati Thanda (Lake Eyre), the place of Australia’s inland sea: one of the few untouched natural waterways in the world. Bennelong COSTUME DESIGN: Jennifer Irwin APDG SET DESIGN: Jacob Nash LIGHTING DESIGN: Nick Schlieper The History of The Kelly Gang Production Designer: Karen Murphy THE HARP IN THE SOUTH - Part 1 Costume designer: RENEE MULDER Lighting designer: NICK SCHLIEPER But it struggles to sell it. 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